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| Video and DVD | ||
| Introduction. | ||
| Ron Hull uses a video camera like his paint brush and knife | ||
| Consequently what can be viewed on his DVD's and Video's relates to his consciousness. | ||
| This presents the subject matter in a new and different light to what the viewer and filmgoer has been | ||
| trained to watched on TV and Cinema over the years. Obviously still effecting and influences a person. | ||
| How much of this has contributed to the level of consciousness being the extent of the images ability, | ||
| now able in extremes, to replace reality. | ||
| If you watch 'MR. BEAN'S HOLIDAY' a bridge can be seen formed by combining video camera work with | ||
| hi-tech filmmakers historical projections. the bridge relating to the earlier insights of Jacques Tati and | ||
| the profoundity of Andrei Tarkovsky making the way clearer and enabling the individual to grasp reality | ||
| beyond image magnification. | ||
| This Video and DVD collection, filmed over the years, makes a contribution to a persons insight of | ||
| what about is them, and so by doing helps inner consciousness to develop a better understanding | ||
| of themselves. | ||
| The DVD's: Filmed in Cornwall, London, Finland, Munich, New Zealand: Speaking for themselves | ||
| in their own way, being in keeping with the essence and pupose of this domain. | ||